翻訳と辞書
Words near each other
・ The Girl Without a Soul (film)
・ The Girl Without an Address
・ The Girl Without Hands
・ The Girl Without Pyjamas
・ The Girl You Lost to Cocaine
・ The Girl's Alright with Me
・ The Girl's Guide to Depravity
・ The Girl's Own Paper
・ The Girl, the Body, and the Pill
・ The Girl, the Gold Watch & Dynamite
・ The Girl, the Gold Watch & Everything
・ The Girl, the Gold Watch & Everything (film)
・ The Girl, the Gold Watch and Dynamite (film)
・ The Girl-Thing Who Went Out for Sushi
・ The Girlfriend
The Girlfriend (film)
・ The Girlfriend Experience
・ The Girlfriend Experience (TV series)
・ The Girlfriend Song
・ The Girlfriends
・ The Girlicious Tour
・ The Girlie Show
・ The Girlie Show (Channel 4)
・ The Girlie Show World Tour
・ The Girls
・ The Girls (1960s band)
・ The Girls (1961 film)
・ The Girls (1968 film)
・ The Girls (novel)
・ The Girls (song)


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The Girlfriend (film) : ウィキペディア英語版
The Girlfriend (film)

''The Girlfriend'' ((スペイン語:La Amiga)) is a 1988 Argentine-German historical drama film directed by Jeanine Meerapfel and starring Liv Ullman, Cipe Lincovsky and Federico Luppi. It was written by Osvaldo Bayer, Alcides Chiesa, Jeanine Meerapfel and Agnieszka Holland. The film was selected as the Argentine entry for the Best Foreign Language Film at the 62nd Academy Awards, but was not accepted as a nominee.〔Margaret Herrick Library, Academy of Motion Picture Arts and Sciences〕
==Plot==
María and Pancho (Liv Ullman and Federico Luppi) are a happily married couple in a quiet, working-class suburb south of Buenos Aires, circa 1978. They share the grief over the disappearance of their eldest son Carlos (Gonzalo Arguimbau), with María's lifelong friend Raquel Kessler (Cipe Lincovsky), a feisty Jewish girl whose cultural identity made her a target to some; but all the more endearing to María, her only gentile childhood friend.
"Married" to the theatre, in which she became prominent, Raquel's career has been protected from anti-Semitic attacks by her lover Diego (Victor Laplace), an influential public television executive who skillfully maintains a balance between his love for the opinionated Raquel and the need to placate the repressive mindset prevalent in that era's last civil-military dictatorship (1976-1983).
María's relentless search for her son strains her relationship with both her husband and Raquel, who give up hope after lengthy and costly attempts to find him. Raquel's own Jewish identity and fondness for roles "discouraged" by the dictatorship such as Antigone cause her serious problems, as well, and lead to her exile in Berlin. María, who had always led a quiet life, earns the growing respect of her fellow Mothers of the Plaza de Mayo, women from all walks of life united by their search for their detained sons and daughters (most of whom were known by the dictatorship to be uninvolved in political violence).
This mission becomes her life's passion and eventually leads her to Berlin, where a German Argentine exile tells her of his having seen Carlos near death at one of the many secret government detention centers, an anecdote rejected by the grieving María, who returns to Buenos Aires driven to find her son. Raquel herself returns to Argentina following democratic elections in 1983, finding that Diego is unhappily married and that María will never accept the death of her son as fact. Bewildered, Raquel nearly gives up on María; finding instead that the bonds of a lifelong friendship endure.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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